Even before I start writing, must I here mention that neither am I a right wing supporter nor am I inclined to the left. My religion does not reflect my political ideologies neither do my educational institution. The media landscape which today is full of opinions, it becomes imperative to mention that anything has been posted is devoid of any political influence.
So to begin with, I attended the
protest screening the controversial documentary, ‘Muzaffarnagar Baaqi Hai’.
Calling the documentary ‘controversial’ would probably be the safest as it
involves heated difference of opinions. However, if I am asked to define the
movie in one word, despite everything or ignoring any consequence, I will use
to the word ‘problematic’.
Needless to say, the documentary
revolves around the 2013 Muzaffarnagar riots in the Western Uttar Pradesh
region and basically narrated stories of Muslim victims, upon whom atrocities
were committed by Hindu Jats. Nakul Singh Sawhney, the film maker, provided
crude firsthand account of the victims who lost their relatives in the riots.
To magnify the impact, he used footage from the riots coupled with fresh
visuals of vandalized households and shops.
Communal tension was surely
brewing in region, particularly considering the fact that Bharatiya Janta Party
was trying hard to make a mark in the Western Uttar Pradesh region. Sawhney decided work on the documentary with
a primary assumption that BJP’s drive of Hindutva led to this massacre. I am
not advocating or criticizing his assumption. Even if what the documentary
showed or narrated was correct, as a member of the audience I would have
expected a more objective approach to the entire subject. I do respect his
opinion, but what I am not comfortable is the fact that throughout the entire
documentary he tried imposing his assumption onto the audience.
There is absolutely nothing
unethical about the filmmaker’s style of documentary filmmaking. It’s perfectly
legitimate to make an outright political statement via one’s work. The concern
for me here is that nowhere in Sawhney’s work there was an attempt to narrate
the alternative side of the story or at least the justification from the
other’s end. What demarcates any work from being a propaganda piece is the fact
that it accommodates opinions, no matter how contradicting it is.
The visuals of the problematic
posters on being a Hindu and visuals of communal political meetings all
narrated how dirty the game out there is. It has visuals of a candidate
delivering a speech, but when he realized the presence of the media, he asked
them to move away. Other instances included visuals of Amit Shah, delivering
speeches in campaigns organized by caste groups, especially Jats. Interviews of
the ‘Modi Sena’ and Vishwa Hindu Parisad members all were indicative of the
Right Wing wave that hit the region. Personally I agree with the filmmaker as
to what he wants to indicate and he was very outright about it. However, as an
audience I was expecting visuals form other side too. As in, one end of the
population was polarized, understood; but sure enough the other group also must
have been polarized. This comes in from the understanding that the entire
episode was called ‘riots’ not ‘killings’. Of course Hindu’s were also killed
in the communal violence, what were the forces that acted upon in mobilizing
the Muslim crowd? They did talk about the involvement of the Samajwadi Party,
but it wasn’t as outright as it showed for the Right wing parties.
Also regarding the interview questions,
most of them seemed to be conditioned and were filled with assumption. For example,
this instance of them asking a VHP member as to what would they do to stop ‘inter-caste
marriage’. Now the question was asked assuming the fact that they were against
inter-caste marriages, and we all know what they believe in. But just for the
sake of objectivity, an initial question should have been about their viewpoint
on inter-caste marriages. If they asked and chose to not include it in the
final cut, that’s also a part of the larger assumption upon which the documentary
was made.
Another aspect which I would like
to talk about here is about the problematic use of children in the entire
documentary. Crude questions were repeatedly asked about who brunt their place
and who vandalized their business. It was very evident that these questions
were being asked keeping in mind of a particular answer. It must here be considered
that children tend to pick words more easily then concepts. So if you are
around a place that constantly keeps on talking about one group, it becomes very
predictable as to what they would answer. And making them speak the same in
front of the camera just reinforces the hatred that is around.
Lastly, to conclude, it was
really appreciative as to how the documentary depicted the common issues of
women. There are issues with the presentation of the same, but I chose not to
write about it. The documentary also features a group of the crowd working to
restore peace and attempting to re-direct the communal tension to larger issues
of the farmers and price issues. They sing songs and go around distributing pamphlets
which asked people to talk about issues related to land and agriculture before
voting. The political inclinations of these groups were however not at all
talked about, and I am sure they aren’t apolitical.
There is so much to talk about
and write about here. The entire documentary has shot under the pretext of the
filmmakers being media personals, read: news personals. But the narrative was a
very subjective approach of the entire Muzaffarnagar issue. There is probably a
lot that can be said in defence of the points I raised, but we all should
understand the Muzaffarnagar is a very sensitive issue. More than political
defamation, more than power politics, we must also take into account that there
are lives at stake, so we should take care that nothing incites the crowd
again.
PS: My post has no intension of
hurting anyone’s feelings. This is a post from the point of view of an average
consumer of news and from someone who is devoid of any political inclination.
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